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Palo Monte is a living Afro-Cuban religion descended from the Kongo peoples of Central Africa. It is not Yorùbá and it is not a branch of Santería, though the two have lived side by side in Cuba for two centuries; it is not “black magic”, a name given to it by those who policed it. What follows is for education: what scholars and the tradition's own elders have recorded about the nganga, the people who keep one, and the ways a palero asks a question. A consultation belongs to a tata or yaya nganga and to the dead they work with, and nothing on these pages stands in for one.

Tradition described: Palo Monte / Regla de Congo (Cuba)

Tata, yaya and the house

A Palo house — a munanso, in the lengua — is a tata or yaya nganga, the prenda or prendas they keep, and the people who have been received under them. The tata (father) or yaya (mother) is the one with the authority to work the prenda and to initiate; Cabrera records both men and women in the role, and the title yaya is not a courtesy but a rank. A person is received into a house by rayamiento — from rayar, to scratch — an initiation named for the small cuts it involves, after which they are a ngueyo, a junior, and may in time receive a prenda of their own and become a tata or yaya in turn. The elder who initiated one's initiator is spoken of as a grandparent in the tradition, and a house keeps its genealogy.

Other roles appear in the record with names that vary by house: the bakofula or mayordomo who assists the tata in ceremony; the “perro de prenda” or “caballo”, the person the nfumbe mounts when it comes to speak; the musicians and singers of the mambos, the call-and-response songs that carry the ceremony. The branches — Mayombe, held to be the oldest and most strictly Congo; Briyumba, which admitted more from Lucumí religion; and Kimbisa, the Regla Kimbisa del Santo Cristo del Buen Viaje founded in the nineteenth century by Andrés Petit, which took in Catholic and spiritist elements openly — differ in their ceremonies and their vocabulary, and a house belongs to one of them.

The rayamiento is named here and not described, for the same reason the making of a prenda is not: it is the tradition's own, and it is not the site's to publish. What can be said from the record is what it is for — it binds the initiate to the house and its dead, under the protection of the prenda — and that it is the beginning of an apprenticeship, not the end of one.

Sources for this article

  • Lydia Cabrera, Reglas de Congo: Palo Monte Mayombe (1979), chapters 1 and 4page reference not yet checked
  • Todd Ramón Ochoa, Society of the Dead: Quita Manaquita and Palo Praise in Cuban Kongo Material Culture (2010), chapters 3–4page reference not yet checked
  • Stephan Palmié, Wizards and Scientists: Explorations in Afro-Cuban Modernity and Tradition (2002), chapter 3page reference not yet checked
  • Practitioner compilations (unknown authorship), Diccionario Español–Bantú, Diccionario de Palo Monte, Glosario and Cantos de Palo (2010), Diccionario de Palo Monte: brujo, iniciación, caballopage reference not yet checked · practitioner-written, unverified

Next on the path: The mpungu and the firmaAll articlesPalo Monte

Palo Monte is an educational section. Satin Cradle is not a tata or yaya nganga, a palero, an initiated practitioner or an oracle, and does not offer consultations. Nothing here is needed for any practice, and nothing on these pages is for sale.

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